I consider myself a traditional photo artist. Once a purist, I was a critic of the development of digital photography. My former work, mostly landscape prints handcrafted in the darkroom, felt obsolete in the digital era where new methods of mass production and editing became easy and accessible to everyone. I even stopped taking photos.
However, for me, art is not a refuge of nostalgia but an expression of the present. I returned to photography, unable to resist the digital techniques which captured the present even more precisely than traditional methods, allowing me to produce images quickly and urgently.
My first experiments in digital photography centered on speed and the possibility of unlimited mass production, which have become the main elements in the creation of my work. I was now able to create and capture movement, a significant theme in my work.